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Domenico Tintoretto
The Conquest of Constantinople
mk157
1578-85
Venice
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Domenico Tintoretto
Official portrait
mk261 Venice about the year 1580 -1590 oil on canvas 126 x 103 cm
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Domenico Tintoretto
Tancred Baptizing Clorinda
c. 1585
Oil on canvas
168 x 115 cm (66.14 x 45.28 in)
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Domenico Tintoretto
Tancred Baptizing Clorinda
c. 1585
Oil on canvas
168 x 115 cm (66.14 x 45.28 in)
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Domenico Tintoretto
Tancred Baptizing Clorinda
Date c. 1585
Medium Oil on canvas
Dimensions 168 X 115 cm (66.14 X 45.28 in)
cyf
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Domenico Tintoretto
The Circumcision
1587(1587)
Oil on canvas
440 X 482 cm
cjr
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Domenico Tintoretto
The Circumcision
Date 1587(1587)
Medium Oil on canvas
Dimensions 440 X 482 cm
cyf
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Domenico Tintoretto
The Penitent Magdalene
ca. 1598(1598)
Oil on canvas
cjr
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Domenico Tintoretto
The Baptism of Christ
Oil on canvas
cjr
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Domenico Tintoretto
Portrait of a Gentleman
Portrait of a Gentleman, oil on canvas // Priv. coll
Date 16-17 c,
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Domenico Tintoretto
Portrait of Joannes Gritti
Domenico Tintoretto 002.jpg
Portrait of Joannes Gritti, oil on canvas// Priv. coll.
Date 16-17 c.
cjr
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Domenico Tintoretto
Christ Crowned with Thorns
Date ca. 1590(1590)
Medium Oil on canvas
cjr
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Domenico Tintoretto
Bildnis eines venezianischen Beamten
Date Um 1600/20
cyf
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Domenico Tintoretto
The Penitent Magdalene
1598(1598)
Medium Oil on canvas
cyf
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Domenico Tintoretto
The Baptism of Christ
Medium Oil on canvas
cyf
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Domenico Tintoretto
Portrait of a Gentleman
oil on canvas // Priv. coll
Date 16-17 c,
cyf
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Domenico Tintoretto
Portrait of Joannes Gritti
oil on canvas// Priv. coll.
Date 16-17 c.
cyf
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Domenico Tintoretto
Christ Crowned with Thorns
1590(1590)
Medium Oil on canvas
cyf
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Domenico Tintoretto
The Flagellation
1590(1590)
Medium Oil on canvas
cyf
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Domenico Tintoretto
Bacchus, Ariadne and Venus
16th century
Medium oil on canvas
cjr
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| Domenico Tintoretto
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Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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